close

Postmodernist Hype

 Essay regarding Postmodernist Fictional

Brian McHale

Postmodernist Fictional

Routledge

AN ASSOCIATE OF THE TAYLOR SWIFT » FRANCIS GROUP

5. Ft certainly not? "

POSTMODERNIST FICTION

Brian McHale

Greater london and New york city

In memory space of

Robert J. McHale 1927-85 Dorrie Sloan 1952-85 Arthur A. Cohen 1928-86 First published in 1987 by

Melhuen, Inc.

••,

Published in Great Britain by Methuen 6- Co. Ltd

Reprinted 1989, 1991 by Routledge 11 New Fetter Street London EC4P 4EE up to 29 West thirty fifth Street New York, NY 10001 © 19S7 Brian McHale

Photosct simply by Rowland Phototypesetting Ltd

Hide St Edmunds, Suffolk

Published in Great Britain in the

University Press, Cambridge

All rights appropriated. No component to this book could possibly be reprinted or perhaps reproduced, or perhaps utilized in any kind of form or by any electronic, mechanised or other means, at this point known or hereafter developed, including copying and recording or in any information storage space or retrici> al system, without permission in writing from the publishers. Selection of Our elected representatives Cataloging in Publication Info

McHale, Brian.

Postmodernist fiction.

Bibliography: p.

Includes index.

1 . Fiction—20//1 century—History and criticism. installment payments on your Postmodernism.

I actually. Title. PN3503. M24 1987

809j'04

86-31140

/SEN 0-416-36390-3 ISBN 0-415-04513-4

British Lil'rui-y Ctitiil

McHale, Brim. Postmodernist ficti 1 ) Fiction — 20th ce I. Name. S09. three or more

PN35U3

ISBN 0-416-363 90-3 1SBNO-4I5-U4513-4

meters Publication Data

tury — History and criticism.

Contents

Acknowledgments Preface

x

XI

Portion One:

Preliminaries

1: Via modernist to postmodernist fictional: change of dominant The dominant

Beckett

Robbe-Grillet

Fuentes

Nabokov

Coover

Pynchon

a couple of: Some ontologies of hype Heterocosm

" The old analogy between Publisher and God" Ingarden Possible worlds The social development of (un)reality 3

six 12 13

15 18 19 twenty one

26

27

29

30

3336

Component Two:

Planets

3: Inside the zone

How to build a sector Ohio, Oz, and other areas Intertextual areas and specific zones 4: Realms in collision Parallel lines

43

forty-five 49 56

59 sixty two

viii POSTMODERNIST FICTION

ARTICLES

IX

The science-fictionalization of postmodernism The postmodernization of science fictional works 5: A global next door

Hesitation

Banality

Level of resistance

From " worlds" to worlds

Displaced fantastic

6:

Constrained realemes Apocryphal record Creative anachronism Historical illusion Part Three: Construction

several: Worlds underneath erasure

SSswthfflgexistS'

Excluded middles, forking paths

The sense of a (non-)ending

8: Chinese-box worlds

Toward infinite regress

Trompe-rceil

Strange loops, or metalepsis

Characters in search of a writer

Abysmal fictions

Which reel?

Part Four: Words

being unfaithful: Tropological planets Hesitation revisited Hypertrophy I Postmodernist allegory ^ Type against itself 10: Styled worlds

Kitty-litter, litanies, back-broke sentences

Letters

Machines

sixty-five 68

73

74 76 77 seventy nine 80

84

86

90 93 94

99

information 103 106

109

112

114

116 119 121 124 128

133

134 137 140

143

148

151

156 159

10: Worlds of discourse

Task in the book

Heteroglossia

Carnival

Part Five:

162

154

155

J7]

Groundings

12: Sides on paper

179

" A spatial displacement of words"

181

Concrete floor prose

184

Illustration and anti-illustration

187

The schizoid text

one hundred ninety

Model kits

194

13: Writers: dead and posthumous

197

The useless author

199

Auto-bio-graphy

202

Roman-a-clcf

206

Authority.

210

Short-circuit

213

Part Six: How I learned to stop worrying and like postmodernism 18: Love and death in the post-modernist new

219

Take pleasure in...

222

... and death

227

Coda: the sense of Joyce's being

233

Remarks

236

Index

259

ACKNOWLEDGMENTS

PREFACE

The author and web publishers would like to say thanks to the following copyright laws holders intended for permission to reproduce the extracts of concrete prose which appear on pp. 185-8.

Christine Brooke-Rose and Hamish Hamilton, Greater london, for the extract via Thru (London, Hamish Hamilton, 1975). Ronald Sukenick pertaining to the draw out from his book Extended Talking Poor Conditions Doldrums...

 More Than a Grandfather Essay

More Than a Grandfather Essay

July 14, 2005 English 101 More Than A Grandfather My personal grandfather has had such a huge impact on my life. So…...

Read
 Coffee and Memory Computer chip Business Article

Coffee and Memory Computer chip Business Article

2012 л…„ two н•™кё° Strategic management Project Questions 1 ) Why, traditionally, has the soda industry been so profitable? 2 . Assess the economics of the put emphasis…...

Read